Her Biography
Born in 1970,
Bartın,Turkey. Graduated from Gazi
University, Gazi Education Faculty,
Department Of Painting in 1992, Ankara. She
joined over about 100 group exhibitions, opened 30 solo exhibitions and holds five awards. Her works can be found in various
collections. She still continues her work of art in her atelier. She is also a member of UNESCO AIAP
Association Of International Plastic Arts
(UPSD).
Curriculum
2019- ArtAnkara 5.Contemporary Art Fair- Ankara, Turkey
2019- Vernice Art Fair, Euro Expo Art, Forli-Italy
2018- İstanbulArtShow Art Fair, Gallery Abay, Hilton-Istanbul
2018- Arte Fiera Art Fair, NeoArtGallery, Cesena-Italy
2018-“ Art Museum and Exhibition Hall-Corum, Turkey
2018- “3. Art Museum Workshop”, Municipality Art Gallery-Bartın, Turkey
2018- “Truva II” Galerim Art Gallery, Armada-Ankara, Turkey
2017- 4.ArtAnkara Art Fair-Ankara,Turkey
2017 -“One World A Lot Of Story”, Linda Farrel Gallery - Paris
2013-Inter Art International , National Museum, Alba Iulıa-Romania
2013- “Mixed Media”, Lessedra Gallery- Bulgaria
2012- “III. Balaton Salooon Art Competition Exhibition” -Hungary
2012- “Feminine Discourse ” Tunel Art Gallery- Istanbul, Turkey
2010- R.D.Art Gallery –Ankara, Turkey
2009 Marziart Studio Gallery, Frankfurt-Germany
2008 AKM Art Gallery /Istanbul, Turkey
2005 Cankaya Municipality Contemporary Arts Center /Ankara , Turkey
2015-Caddebostan Culture Center- Istanbul, Turkey
2014-“Plates” Şirket-i Hayriye Art Gallery- İstanbul, Turkey
2013- Inter Art International Art Show, National Museum, Alba Iulıa-Romania
2013- “Mixed Techniquies” International Art Show, Lessedra Gallery- Bulgaria
2013-“New Year Art Show” HK Art Gallery-Istanbul
2012- “III. Balaton Saloon Art Competition’s Exhibition”- Hungary
2011-“Yin-Yang”Contemporary Art and History Museum, Moscow-Russian
2011- “Women in Art”, American Museum, Miami, Florida- USA
2011-“Arachne” VII. Women’s Art Show, PrimoPiano Gallery, Lecce-Italy
2011-”Violence Against Women Art Exhibition”, UPSD Art Gallery-Istanbul, Turkey
2010-“Orange Blossom II. International Art Colony’s Exhibition, CRR-Istanbul
2010- Art District Gallery, Las Vegas-America
2010- WAF Expo Las Vegas, Place Gallery-America
2010- Art 2010 “Global Art Perspektives”, Broadway Gallery, New York-America
2009-“ Bashimi Art House, Salzburg Gallery- Avusturia
2009- 19. Istanbul Art Fair, Tüyap- İstanbul
2009- Bakırköy Art Center- Istanbul
2009- “Politics, Practics and Emotions”Broadway Gallery, NewYork
2009- "Human Rights" San Lucia-Belvedere, Caserta-Italy
2009- “Summer Mix /4” Cihangir Art - Istanbul
2009- 53. Venice Biennale , Ny Arts Pavilion / Italy
2009- World Art Expo’09, California / USA
2009 World Art Foundation Grand Salon Des Arts, California / USA
2008 Oregon Ink Spot Print Exhibition,Nightingale Gallery /USA
2008 International Biennial, D'art Gallery, Aiud / Romania
2008 7TH Lessedra World Art Print Annuel , Sofia / Bulgaria
2007 Tuyap Art Fair /Istanbul
Criticism
Artist,
a modernist perspective separates women from men, the other / down draws of
woman, attention to the structure. Doing so through women's identity and body
gives internal conflict. In so doing, women don’t identity and gives the body
via the internal conflict. Artist; sexual politics, print, the concept of
patriarchy has created tension and pathological conditions in women appears to
make them on behalf of the bodies or limbs extended and bright, striking colors
combine and them bright, striking colors combine. Colors, feel the sourness of
the situation with the brush strokes have highlighted the dramatic. In fact,
artist, the subject of women of the modernist perspective that captures the
evolution of a postmodern approach makes. Helene Cixous, Kristeva, post
structuralist feminist philosophers such as Luce Irigay combine a new language,
and the woman is in need for a new idea language Dilek Ozmen of fiction in the
composition, the brush is held with the driving and color selection. Now, like
many men on the idea of equality postfeminist approach is not a matter of fact.
The important point to consider especially Irigay'ın Özmen says, "to talk
like women" and "to speak as a woman" are themes. Here, artist
will speak as a woman, working as the woman speaks. So what does that mean
these concepts? "Women have to talk to" the current situation in both
a psychological and social position indicates a position. Unlike that
"women like to talk" to the plurality of meaning and subtlety,
accuracy and control of information perspective means to be open to pluralism,
that's always prevent men's language, to abolish, to suppress the
qualifications are addressed. Concepts tables, lines, colors, was moved to the
current study is one of the Özmen’s women ...
Sevil Dolmacı